Another year, as I look back, which has surprised me. Although I may not have made as many posts as I would have liked to do, there were still a lot of shows I attended and new places discovered. So let me summarize and then give a little more insight.
Shows attended - 52
New Venues (places I stepped into the very first time for a show) - 20
New local bands (bands I experienced for the first time) - 43 bands
Total number of bands seen - 105 (this does not include some of the locals I saw more than once).
Speaking of locals more than once Cody Bryan Band and the Michael Dillard Band take the honors for the bands I have spent the most time with. Click on their names to go to their respective pages. Check them out, go to a show, buy their music.
From 3Ten@ACL to Zilker Hillside Theater, there were definitely some fun, great new places I went to and experienced. In the heart of Austin's Entertainment District there was the Bat Bar, Hotel Vegas, and The Liberty. I really love the vibe and set of of The Liberty. Inside has the bar to the right of the main entrance. Keep to the left and there is the stage side, which has a really weird set up - you walk right in front of the stage (which is on a lower lever) and then up to the seating area. Outback is an amazing little seating area with a food trailer and some good grub!
Attending The Austin Hip Hop Awards was a highlight and an amazing way to start 2017. In addition I was lucky enough to go to CD release and listening parties for Super Smash Brothers (SSB), Vondoom, Big Don, Black Heart Saints, MC Overlord, XII, and Cody Bryan Band. Click on any of the names to go to their page to order some music.
Once again I attended shows for Rap, Texas Country, Rock, Metal, Blues, and a little Funk Shui Planet (one of my favorites from SXSW 2017 - in a parking lot completely Funking up the place. They were great, but they are from California so you will have to look them up.
Overall, it was another great year for the live music scene in Austin and a good year for Live Music in Austin. Thanks for peeking in on me.
2018 is shaping up to be a blast again as it is just the 18th of January and I am 3 shows in with a national touring show under my belt.
Laters
Showing posts with label XIII. Show all posts
Showing posts with label XIII. Show all posts
Monday, January 15, 2018
Thursday, November 23, 2017
XIII on 13
Walking in the doors of Texas Mist (https://www.facebook.com/pages/The-Texas-Mist-Live-Music-Venue-1115-Old-Bastrop-Road-Atx/790417254426441?hc_ref=ARRYd4yQHZAmBDx7X-PJYXGh5Bt4AKucKzQErj3uVk4Nn3TSYAgFTxq81bhRlnj1WW0) for the first time... is like this... remember that hall... You know the one your dad or grand dad used to go to... the VFW Hall... yeah that one. It's like that, kind of, but the music is wayyyy better and the bartender doesn't smell like coffee and Vicks Vapor Rub.... and yes, I tried to sniff him and he wasn't haven't none of that shit.
Texas Mist for the most part is just a big open room. You walk in the door and the bar is immediately in front of you to the left. The bathrooms are farther back as well as an exit to go out back for smoking or hanging out. To your right is the open area and the stage, which faces the bar. Lots of tables scattered around with a mix of seating.
There were several bands on the bill this evening. I caught the last few songs of one band and the entire set of the next band. Both were good, but there was little love from the crowd for there respective performances. So little, in fact, That I am done with blogging about their performances.
Now, Before I get into the review of the headliners performance let me talk another paragraph about the sound. As a fan of Austin music I am all about the performance, the impact, and the venue. The venue plays a large portion of any show, because if the club sucks or something about it, that will taint your night and impact your impression of the band(s). The sound here was pretty terrible. There was a blown speaker that kept making a popping noise all night...annoying. The sound person that evening acted like she could have given two shits less than nothing for being there or the bands on stage, super annoying. There was no urgency or hustle in anything she was doing. Worse than that to me, is a great that seems to be a great disrespect to the bands who are performing and the crowd that is paying, FUCK NO!
On with the show.
XII (https://xiiiasylum.bandcamp.com/) was having this grand party for the release of their new album. I do not have a copy so can't and won't comment on it here. Follow there link (www.facebook.com/xiiiasylum) and get a copy though...I will. This band is such a great surprise for being local. I saw this band a mere week earlier opening for a large national touring band and was so impressed by the performance, I decided to do it again to see a full headlining set. I was not let down nor were those in attendance with me. From the presentation of their merch - super important if you want to 'brand your band' to their stage presence, this band is acting and thinking big time and it shows in their performance. The lead singer does an eerily great job of being, not just the center of attention, but the front man down on the ground and in with the crowd. The audience loved the entire performance. Those that were sitting outside were drawn in. Those inside that were sitting were standing, and all of us were pushing up to the stage. 
I can tell you for a local metal band, the lead singer has a vision what he wants to perform and how. He nearly carries this off perfectly. With a touch more of rehearsals and coordination of an actual stage show - these guys stand to take the place of the reigning Gods of performance metal in Austin, The Dirty Wormz and take us another decade into bad ass, fun rock shows here in Austin!
Laters
Thursday, October 12, 2017
Mushroomhead 2017
with special guests Slop Musket, XIII, Ventana, and Unsaid Fate.
I have been to this venue a couple of times already. I actually went there a few times before it was this particular incarnation. But this night was the first time I walked through the door with the brand on the outside, proudly displayed for all to see...Come and Take It Live! (https://www.comeandtakeitlive.com/)
There is plenty of parking all around the building. As you walk up to the entrance there is a large fenced in area for smoking and enjoying some grub from the food trailer to the right. As you walk in there is the ticket counter immediately in front of you and the large main bar to the right of that. This is where it gets interesting. As you face the bar from the entrance, the large stage is to the far back left of the bar, bathrooms are to the right behind the bar and there are some steps to your left that lead up to a second level viewing area and a merch sales area behind that. As you walk up the steps, to your left and almost behind you is a flight of stairs that goes up to the next level.
Up here is another bar to you left, in front of you, as you reach the top of the stairs. There is a VIP lounge area back behind you that has sofas and some additional seating and overlooks the stage. Where the bar is has a long halfwall that allows you to look down on the stage and the crowd below. There are also a couple of very nice Jack Daniels pool tables. There is also a hidden room that is called the 'Skybox'. This sweet little retreat is actually over the top of the stage on the side. This allows for some pretty good views of the onstage antics. The skybox can seat about 5 people comfortably, and more if you are comfortable with the crowd.
In all, for its quirky, different levels and areas, Come and Take It Live allows for a great view from just about anywhere in the house.
On the bill for this night of music were two Austin bands opening for three road bands. Slop Musket (http://slopmusket.com/) was up first to open the night. Of course it always has to be a tough spot to be the very first. Not everyone has arrived. The crowd is just starting to get their drink on, it's just generally tough. There was about 25 or 30 people down on the floor when Slop Musket took the stage. With their different style of rap and rock, Slop Musket powered through their short set. As entertaining as they were, it was super difficult to get a grasp on their set in general...and there was just not a whole lot of feedback from the crowd. I am sure I will run into them again and hopefully be able to give a proper review for their set.
XIII (https://www.facebook.com/xiiiasylum) was up next. Tell you what, the crowd had swelled enough to pay attention. And it took all of 35 seconds from the start of XIII's set for the small, growing crowd to react with cheers. Although they opened with a cover song, it was still a pretty fucking epic and ballsy jump off. The great thing is their sound and set didn't change much. Rolling into there originals XIII kept it high energy and exciting for the crowd and myself. Credit to the band for doing a great job of hyping themselves and their upcoming CD release show. It was musically bad ass enough and interesting enough that I made plans to attend their event.
Ventana (https://www.facebook.com/VentanaBandOfficial/) was the first of the three road bands to hit the stage. Costumed and on point, Ventana laid into the now warmed up crowed. Here was another band with an energetic front man and dueling lead vocals to make the crowd start to break into a sweat and start a circle pit. The little snippets of sound intros to a couple of their songs where quite charming as I caught myself laughing at some in the crowd who didn't know it was a recording or didn't get the joke and poke at politics. Of course if you have not seen Ventana live you wouldn't know. The solution...go see Ventana, for the love that is All-American, Apple Pie, and all that other fucking shit.
Unsaid Fate (https://www.unsaidfate.com/) came out onto the stage with a pretty much packed house and ran with the set. With the vocals by the show stopping Jackie LaPonza, Unsaid Fate just blistered the crowd. even greater than the musical part of the show was how great Jackie was in being completely interactive with the crowd down in front. At one point she even snagged a fans phone who was filming and ran around the stage capturing the magic from the stage perspective. All in good fun of course as she handed the fan back his phone when she was done. There is a souvenir that goes down as once in a lifetime. Unsaid Fate charged through their set, barely giving the fans time to rest or catch their breath. It was just perfect. To build on what had come before, and prepare the crowd for what was about to happen, Unsaid Fate definitely has a new fan here!
Mushroomhead (http://www.mushroomhead.com/)! YES! This is my fourth time seeing them. It is absolutely worth it EVERY SINGLE TIME. The stage production is always different. The set list changes and stays fresh, but keeps some of the great tunes in a different order than the last time you saw them. In all, Mushroomhead puts on the show of all Muthafuckin' shows! It's loud, it's bright and flashy, and completely non stop energy. Even when the did a little homage to Prince by doing a super clean and tight opening of 'When Doves Cry' the crowd never stopped screaming. Mushroomhead pounded us with the sound and presence for over an hour and when they were done....they were done. No need for an encore if you kick it to the crowd like Mushroomhead does!
Laters
I have been to this venue a couple of times already. I actually went there a few times before it was this particular incarnation. But this night was the first time I walked through the door with the brand on the outside, proudly displayed for all to see...Come and Take It Live! (https://www.comeandtakeitlive.com/)
There is plenty of parking all around the building. As you walk up to the entrance there is a large fenced in area for smoking and enjoying some grub from the food trailer to the right. As you walk in there is the ticket counter immediately in front of you and the large main bar to the right of that. This is where it gets interesting. As you face the bar from the entrance, the large stage is to the far back left of the bar, bathrooms are to the right behind the bar and there are some steps to your left that lead up to a second level viewing area and a merch sales area behind that. As you walk up the steps, to your left and almost behind you is a flight of stairs that goes up to the next level.
In all, for its quirky, different levels and areas, Come and Take It Live allows for a great view from just about anywhere in the house.
On the bill for this night of music were two Austin bands opening for three road bands. Slop Musket (http://slopmusket.com/) was up first to open the night. Of course it always has to be a tough spot to be the very first. Not everyone has arrived. The crowd is just starting to get their drink on, it's just generally tough. There was about 25 or 30 people down on the floor when Slop Musket took the stage. With their different style of rap and rock, Slop Musket powered through their short set. As entertaining as they were, it was super difficult to get a grasp on their set in general...and there was just not a whole lot of feedback from the crowd. I am sure I will run into them again and hopefully be able to give a proper review for their set.
XIII (https://www.facebook.com/xiiiasylum) was up next. Tell you what, the crowd had swelled enough to pay attention. And it took all of 35 seconds from the start of XIII's set for the small, growing crowd to react with cheers. Although they opened with a cover song, it was still a pretty fucking epic and ballsy jump off. The great thing is their sound and set didn't change much. Rolling into there originals XIII kept it high energy and exciting for the crowd and myself. Credit to the band for doing a great job of hyping themselves and their upcoming CD release show. It was musically bad ass enough and interesting enough that I made plans to attend their event.
Ventana (https://www.facebook.com/VentanaBandOfficial/) was the first of the three road bands to hit the stage. Costumed and on point, Ventana laid into the now warmed up crowed. Here was another band with an energetic front man and dueling lead vocals to make the crowd start to break into a sweat and start a circle pit. The little snippets of sound intros to a couple of their songs where quite charming as I caught myself laughing at some in the crowd who didn't know it was a recording or didn't get the joke and poke at politics. Of course if you have not seen Ventana live you wouldn't know. The solution...go see Ventana, for the love that is All-American, Apple Pie, and all that other fucking shit.
Mushroomhead (http://www.mushroomhead.com/)! YES! This is my fourth time seeing them. It is absolutely worth it EVERY SINGLE TIME. The stage production is always different. The set list changes and stays fresh, but keeps some of the great tunes in a different order than the last time you saw them. In all, Mushroomhead puts on the show of all Muthafuckin' shows! It's loud, it's bright and flashy, and completely non stop energy. Even when the did a little homage to Prince by doing a super clean and tight opening of 'When Doves Cry' the crowd never stopped screaming. Mushroomhead pounded us with the sound and presence for over an hour and when they were done....they were done. No need for an encore if you kick it to the crowd like Mushroomhead does!
Laters
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