some of that 'Southern Hostility' for me please

I don't usually do reviews that are not based on a live music experience or without some photos to back up the words. But I'll do it for the www to read and know. 

I have had the wonderful experience of seeing Upon A Burning Body  (https://www.facebook.com/uponaburningbody/) perform a few times. Definitely one of my favorites. Knowing they are from down the road in San Antonio and their mark on the metal scene, it is a pleasure to listen to and drop my opinion of their release 'Southern Hostility'. No, it's not a brand new release, but it is their newest.

So, lucky me. I was able to grab the limited release vinyl and get a copy of the disc. Well worth every damn dollar. Waited for the mailman to drop that shit off. Checked my camera EVERY DAY. I wasn't even home when it came in, but sent a neighbor over to grab the package when it was placed on my doorstep. 

I got home, opened it up.Admired the simple statement of the cover artwork, pure UABB. It was righteous. Then I put that fine piece of aural abuse on full volume.

Danny, Ruben, and the guys have stepped up created one of their finest works to date. ABSOLUTELY stunning, gut punching, nut kicking, ear bleeding masterpiece. The opening track doesn't really set the tone for the rest of the album, but that son of a bitch gets your attention instantly. It is great and demands that you shut the fuck up and listen!

Listening to the album on repeat several times moved me past the "Fuck yeah!" fist and middle finger in the air feeling on the first go round. To shouting along to lyrics on the second and third time. Yelling and thrashing about so much in my house the dogs were scared shitless and went outside and wouldn't come back in. 

Some where around the fourth listen something wonderful happened. I started hearing the music. The backing vocals. The choruses. I realized these boys from San Antonio didn't just put together another banger of an album. No, for fucks sake, they grew up. They just fully embraced the current sound and scene and made sure their music was still theirs, but knew how to stay absolutely relevant. Dare I say...mainstream. No! I am not saying radio airplay bullshit. But just simply, the music has moved to another level of badassery! I am not just talking about the legions of fans they have all over the world. I am saying this album easily moves them to a main stage. To crossing over a line where it's not just the long time fans listening, buying, and going to the shows. Southern Hostility has the sound, production, anger, and adrenaline producing ability to create smiles - show your teeth - to a wider and broader base of metal fans.

No. I didn't not critique the individual tracks on this album. I have just laid out for you a feeling it creates. Told you a story on how it made me feel. And simply explained to you....buy it, download it, and more importantly go to a show!

Laters

The music world returns to austin

In March the music world returns to Austin. Everyones attempted shot at "making it big" and getting the "record deal of a lifetime". Local bands, national bands, and even bands from around the world, throw the caution to the wind to via for that golden ring. Whether you believe the shot at glory and the record deal is worth it or all that is cracked up to be, the music world will descend on us.

The glory of this, being a music lover and fan of the live music scene here in Austin, is you get to experience so many different types of music and performances from all over. I thrill at this event as you should too. You don't need badges or wristbands to experience all the spring break glory of music in Austin during the second and third weeks in Austin. Downtown, East side, Southside you simply have to take the time and stroll around. Discover something new. This is the point of this post... ways to just go do it.
You can look up events at The Austin Chronicle and Do512. This is how I will primarily find my adventures and journeys. You can also follow some of your favorite local bands, go to their shows and you will invariably find and discover someone new.

Here are a few recommendations for out of town bands. These are bands I have seen in the past that should be making a return to Austin during this illustrious time of year. Bands worthy of your time and attention.

Sarah Shook and The Disarmers (http://www.disarmers.com/) - The female re incarnation of Johnny Cash. All of the attitude, a great voice and an amazing band backing her up. A sound and style that refuses a label. It's not rock, it's not country, it is just simply great. I saw Sarah Shook and the Disarmers at a Rachael Ray event last year, 2017. It was a spectacular performance. I looked them up and coincidentally they will be in Houston during that special time here, so I expect and hope Austin will get the pleasure of there re appearance again this year.

The Revenge Wedding (https://www.facebook.com/therevengewedding/). I will proudly say this was my "Holy Shit" moment of the whole week 2017. This band plays the type of music that would scare the shit outta your grandma. It's not your daddy's type of rock and roll either. For The Revenge Wedding it's not just about the music it is all about the performance also. At the show I experienced, some knucklehead in the crowd thought it would be funny to heckle the band...stupid idea. The lead guitarist wasn't shy and verbally laid into this guy, it was great! Oh, and don't try to defend your idiot friend wearing deck shoes without socks either, just as dumb. I am really happy to say they will be back here in Austin for the week of music 2018. Look them up, figure out where they will be at and go. I will see you there for damn sure.

Funk Shui Planet (https://www.funkshuiplanet.com/) If the previous review was about my Holy shit moment, this was definitely the "What the Fuck!" moment. I was at another event, and took a break to stroll around downtown Austin to see what else I could find, and there they were. Funk Shui Planet just chilling in a parking lot. I do believe they were supporting a skateboard company, Jelly. With their brand of funk and laid back rock, it is just an awesome style of groove and chill type music. This performance is the epitome of what you can find and discover during music week in Austin, Texas. No badges, just a good pair of shoes and the willingness to explore. All the great stuff has always been free.

Last, and certainly not least, was October Roar (https://www.facebook.com/OctoberRoar/). This is a Texas band I experienced on my Birthday right in the middle of it all! A metal band with all the attitude and a sense of humor about themselves to have you raising your beer, shaking your fist, and cheering at the top of your lungs. October Roar was great fun, and because it wasn't an official showcase it was so easy to enjoy their performance and still say 'Hi" after they were done. I suspect they will be here this year so look them up and enjoy.

There were so many more bands I got to see and enjoy. I hope you take the time out to make the most our of this special week yourself. Plenty of local talent to be seen and enjoy, but these are my picks I look forward to returning back to Austin.

If you have some of your favorite discoveries and are expecting them to return this year. Email me and let me know. I would love to start building my itinerary now.

Laters 

XIII on 13

Walking in the doors of Texas Mist (https://www.facebook.com/pages/The-Texas-Mist-Live-Music-Venue-1115-Old-Bastrop-Road-Atx/790417254426441?hc_ref=ARRYd4yQHZAmBDx7X-PJYXGh5Bt4AKucKzQErj3uVk4Nn3TSYAgFTxq81bhRlnj1WW0) for the first time... is like this... remember that hall... You know the one your dad or grand dad used to go to... the VFW Hall... yeah that one. It's like that, kind of, but the music is wayyyy better and the bartender doesn't smell like coffee and Vicks Vapor Rub.... and yes, I tried to sniff him and he wasn't haven't none of that shit.

Texas Mist for the most part is just a big open room. You walk in the door and the bar is immediately in front of you to the left. The bathrooms are farther back as well as an exit to go out back for smoking or hanging out. To your right is the open area and the stage, which faces the bar. Lots of tables scattered around with a mix of seating.

There were several bands on the bill this evening. I caught the last few songs of one band and the entire set of the next band. Both were good, but there was little love from the crowd for there respective performances. So little, in fact, That I am done with blogging about their performances.

Now, Before I get into the review of the headliners performance let me talk another paragraph about the sound. As a fan of Austin music I am all about the performance, the impact, and the venue. The venue plays a large portion of any show, because if the club sucks or something about it, that will taint your night and impact your impression of the band(s). The sound here was pretty terrible. There was a blown speaker that kept making a popping noise all night...annoying. The sound person that evening acted like she could have given two shits less than nothing for being there or the bands on stage, super annoying. There was no urgency or hustle in anything she was doing. Worse than that to me, is a great that seems to be a great disrespect to the bands who are performing and the crowd that is paying, FUCK NO! 

On with the show.

XII (https://xiiiasylum.bandcamp.com/) was having this grand party for the release of their new album. I do not have a copy so can't and won't comment on it here. Follow there link (www.facebook.com/xiiiasylum) and get a copy though...I will. This band is such a great surprise for being local. I saw this band a mere week earlier opening for a large national touring band and was so impressed by the performance, I decided to do it again to see a full headlining set. I was not let down nor were those in attendance with me. From the presentation of their merch - super important if you want to 'brand your band' to their stage presence, this band is acting and thinking big time and it shows in their performance. The lead singer does an eerily great job of being, not just the center of attention, but the front man down on the ground and in with the crowd. The audience loved the entire performance. Those that were sitting outside were drawn in. Those inside that were sitting were standing, and all of us were pushing up to the stage. 

I can tell you for a local metal band, the lead singer has a vision what he wants to perform and how. He nearly carries this off perfectly. With a touch more of rehearsals and coordination of an actual stage show - these guys stand to take the place of the reigning Gods of performance metal in Austin, The Dirty Wormz and take us another decade into bad ass, fun rock shows here in Austin!

Laters

Mushroomhead 2017

with special guests Slop Musket, XIII, Ventana, and Unsaid Fate.

I have been to this venue a couple of times already. I actually went there a few times before it was this particular incarnation. But this night was the first time I walked through the door with the brand on the outside, proudly displayed for all to see...Come and Take It Live! (https://www.comeandtakeitlive.com/)

There is plenty of parking all around the building. As you walk up to the entrance there is a large fenced in area for smoking and enjoying some grub from the food trailer to the right. As you walk in there is the ticket counter immediately in front of you and the large main bar to the right of that. This is where it gets interesting. As you face the bar from the entrance, the large stage is to the far back left of the bar, bathrooms are to the right behind the bar and there are some steps to your left that lead up to a second level viewing area and a merch sales area behind that. As you walk up the steps, to your left and almost behind you is a flight of stairs that goes up to the next level.

Up here is another bar to you left, in front of you, as you reach the top of the stairs. There is a VIP lounge area back behind you that has sofas and some additional seating and overlooks the stage. Where the bar is has a long halfwall that allows you to look down on the stage and the crowd below. There are also a couple of very nice Jack Daniels pool tables. There is also a hidden room that is called the 'Skybox'. This sweet little retreat is actually over the top of the stage on the side. This  allows for some pretty good views of the onstage antics. The skybox can seat about 5 people comfortably, and more if you are comfortable with the crowd.



In all, for its quirky, different levels and areas, Come and Take It Live allows for a great view from just about anywhere in the house.

On the bill for this night of music were two Austin bands opening for three road bands. Slop Musket (http://slopmusket.com/) was up first to open the night. Of course it always has to be a tough spot to be the very first. Not everyone has arrived. The crowd is just starting to get their drink on, it's just generally tough. There was about 25 or 30 people down on the floor when Slop Musket took the stage. With their different style of rap and rock, Slop Musket powered through their short set. As entertaining as they were, it was super difficult to get a grasp on their set in general...and there was just not a whole lot of feedback from the crowd. I am sure I will run into them again and hopefully be able to give a proper review for their set.

XIII (https://www.facebook.com/xiiiasylum) was up next. Tell you what, the crowd had swelled enough to pay attention. And it took all of 35 seconds from the start of XIII's set for the small, growing crowd to react with cheers. Although they opened with a cover song, it was still a pretty fucking epic and ballsy jump off. The great thing is their sound and set didn't change much. Rolling into there originals XIII kept it high energy and exciting for the crowd and myself. Credit to the band for doing a great job of hyping themselves and their upcoming CD release show. It was musically bad ass enough and interesting enough that I made plans to attend their event.

Ventana (https://www.facebook.com/VentanaBandOfficial/) was the first of the three road bands to hit the stage. Costumed and on point, Ventana laid into the now warmed up crowed. Here was another band with an energetic front man and dueling lead vocals to make the crowd start to break into a sweat and start a circle pit. The little snippets of sound intros to a couple of their songs where quite charming as I caught myself laughing at some in the crowd who didn't know it was a recording or didn't get the joke and poke at politics. Of course if you have not seen Ventana live you wouldn't know. The solution...go see Ventana, for the love that is All-American, Apple Pie, and all that other fucking shit.

Unsaid Fate (https://www.unsaidfate.com/) came out onto the stage with a pretty much packed house and ran with the set. With the vocals by the show stopping Jackie LaPonza, Unsaid Fate just blistered the crowd. even greater than the musical part of the show was how great Jackie was in being completely interactive with the crowd down in front. At one point she even snagged a fans phone who was filming and ran around the stage capturing the magic from the stage perspective. All in good fun of course as she handed the fan back his phone when she was done. There is a souvenir that goes down as once in a lifetime. Unsaid Fate charged through their set, barely giving the fans time to rest or catch their breath. It was just perfect. To build on what had come before, and prepare the crowd for what was about to happen, Unsaid Fate definitely has a new fan here!

Mushroomhead (http://www.mushroomhead.com/)! YES! This is my fourth time seeing them. It is absolutely worth it EVERY SINGLE TIME. The stage production is always different. The set list changes and stays fresh, but keeps some of the great tunes in a different order than the last time you saw them. In all, Mushroomhead puts on the show of all Muthafuckin' shows! It's loud, it's bright and flashy, and completely non stop energy. Even when the did a little homage to Prince by doing a super clean and tight opening of 'When Doves Cry' the crowd never stopped screaming. Mushroomhead pounded us with the sound and presence for over an hour and when they were done....they were done. No need for an encore if you kick it to the crowd like Mushroomhead does!

Laters

It was a Midnight Drive

Lucky Lounge (http://www.theluckylounge.com/) on a Thursday night in Austin, Texas. Like I have said and will continue to preach...there is always something to do, music to experience, and fun to be had in Austin ANY day of the week. Tourist or local, come join the fun in our great city.

Located on 5th St just off of Congress, the Lucky Lounge is just that...a lounge. A long shotgun style venue. You walk in the front door with a small seating area in the front and then a long hallway that leads to the main body of the club. As you walk down the hallway the bathrooms are on the right and a area for merch on the left. When you enter the main room it is a little over double the width of the hallway with a long bar on the right, a raised VIP seating area up, behind the bar on the far right. To the left are some small two seat, hi-top tables lining the left wall to the stage, which is at the very end of the long room. Right in front of the stage is a small area to stand/dance for a show, with a sofa and some more seating to the left. It is a lounge.

As I walked in I was hearing a very sweet voice and an acoustic guitar. Kayla Way

 (https://www.facebook.com/KaylaWay/) was onstage doing her thing. Kayla had a few folks in the crowd for an early Thursday evening, even a local guitar celebrity was taking in and enjoying her sound. Kayla's sound is ALMOST what you would expect from that singer/songwriter sound, BUT there was something a little different about her. A wonderful smile, a good stage presence and the interaction with the crowd. Kayla Way's originals are perfect and fun for an early evening and when she did a cover, she owned it she did'nt karaoke it! The crowd grew towards the end of her set and this is where her sound changed ever so slightly...more edgy. It seemed like she was ready to drop the current sound and timid girl demeanor for a just rock out moment on us with one of her newer songs. 

I did speak with her briefly after her set and am happy to say she has an EP coming out very soon (possible beginning of the new year). Kayla proudly told me that everyone can expect this to be a little more rock and roll then her previous venture. I look forward to it and you should look forward to seeing Kayla Way around town.

Next up was Todd Pate 

(https://soundcloud.com/todd-pate-1). Nothing like traveling with your own fan club. There were definitely a few more people here than with the prior performer and they were all cheering on Todd and his pretty cool guitar skills. This was another singer/songwriter performance. It was not that Todd was unique with his voice, his songs were original and his singing voice was strong. The crowd loved what he was doing. The previously mentioned local guitar hero and I where really stunned at what Todd did with his guitar. Not just playing acoustic, but using a whole damn peddle board for effcts. It sounded great, but different enough to garner our collective attention. I cant's say if this is just big balls doing this, or just genius, but it was impressive enough. Although I am not sure if Todd is local, look him up anyway.

Leather Leaf (http://www.leatherleafrockband.com/) was the dramatic turn for the evening. Jumping from acoustic singer/songwriter to a metal band was pretty harsh. It was also pretty damn fun. Leather Leaf does the rock/metal thing with a female lead, Melissa Madnezz (https://www.facebook.com/melissaklopf). This woman barks out the songs like a champ, commanding every single song brilliantly. It's as if Ozzy and Grace Slick had a love child and lucky for us, she is the singer of Leather Leaf! Leather Leaf's performance was half and half covers and originals. Doing their originals like they were platinum hits and doing the covers like they were their own, it was definitely a pleasure to be in the crowd for this performance. Even more so watching some of the younger folks in the crowd taking it in, singing the choruses, and moving to the beats. It was definitely smile inducing.

The Midnight Drive  (https://www.facebook.com/themidnightdrive/) was up for the headline spot of the evening. This is where my invitation came from for this night of new music.

I have always told folks about the great thing about Austin music. The bands go out to see and support each other. You never know who you will see on stage, and you NEVER know who you are going to be sitting with and talking to in the crowd. More than once I have experienced and heard the story of others hanging out in a venue, talking with someone, and then they interrupt the conversation by saying "Hey! It was nice talking to you, but I have to go. My band is up next." Leaving me/you/the unsuspecting tourist to think "WTF!!! Who was I just sitting with and talking to?" Yes, I knew I was sitting with the absolutely beautiful, smiling, and newly married wife of The Midnight Drive's drummer, BUT I had NO idea who the dark, beautiful, mysteriously silent and shy young lady was that kept coming to our table. It was moments before show time when the drummer brought her to the table and introduced her as the lead singer of The Midnight Drive....palm to the forehead moment for me. 

The Midnight Drive is a band that does some amazingly fun music. Danceable, catchy songs, great melodic drifts with some interesting guitar work going on underneath it all. The crowd was totally on their feet for the entire performance. Having a good time and cheering along, even if they didn't know the words, like myself. Although I stay away from comparisons as a personal decision. I would rather you go and catch it and make up your own mind, but I am happy to give you a genre for a band. The Midnight Drive has done an amazing job of creating something all their own...PopPunk goes Surfer! 

The Midnight Drive does their sound well, the crowd is in on the secret, you should be too.

Laters  

Dia de Los Muertos 2016

Attending such a fun annual event, for a great cause is fulfilling. Doing it with a loved one and sharing the experience is nothing short of exhilarating. Put the fun and festive Dia de Los Muertos vibe on a beautiful day, with great food, fun themed shopping, and great music...now you have my attention.

Easter Seals of Central Texas (http://www.easterseals.com/centraltx/?referrer=https://www.google.com/) sponsored the 4th Annual Dia de los Muertos, this year at Fiesta Gardens in downtown Austin, Texas. With the sun shining and a fun line up of bands this should have been a festival with more than a thousand in attendance.



There was great food. From food on a stick, fried, wrapped in tortillas, it was mouthwatering. The chicken quesadilla was the hands down favorite in my opinion. Plenty of drinks were flowing as well. from the traditional juice drinks to some ice cold adult beverages on the rocks.

The shopping was themed for the Dia de los Muertos "sugar skulls". There was clothing, collectibles, and jewelry. We spent a pretty penny at a couple of the booths for our selves and for gifts. Face painting was a big hit this year with a really large tent and plenty of people lined up for some art expression of the festival on their face. There was even a pinata party for the kids as well.

Then there was the music. 3 bands, the drums, and the dancers. It was colorful, it was loud, and it was all full of smiles...for everyone in attendance and performing.

The Austin Samba School (http://www.austinsamba.com/) thrilled us with there moves and the beat of the drums. Las Monas danced and made us remember what the festival is about. It excited the crowd and had people on their feet dancing in rhythm to the beat.

On the main stage for the evening was opening act, and local favorite of the festival the Tiarra Girls (http://www.tiarragirls.com/). Quickly becoming an Austin treasure and in the not to distant future, a Texas treasure. These three, teenage sisters rocked the crowd. With a great mix of covers and originals the Tiarra Girls are super surprising. Not really for me, but watching the faces of those around, it was great stuff. Doing an amazing version of Selena's "Como la Flor" and Linda Ronstadt's "You're no Good" these girls prove they have the musical chops to hang with any band on the bill.

I was lucky enough to see the Tiarra Girls two years ago at a previous festival. I can say in the two years the guitar work is rock solid and the lead singers voice has found its groove, smooth and unfaltering, no longer that little girls voice. The bass and drums are fun and on point. This is not an under 18 band, this is not a girl band, this is simply put, a damn good band!



After Tiarra Girls exited, my anticipation mounted. Up next was a band I have been yearning to see live for a couple of years now. I was not let down, I was not disappointed, and neither was the crowd.

Metalachi (https://metalachi.com/) came out on the stage with a cheer of the crowd. From there the noise only grew. Being the worlds only heavy metal mariachi band, they are not a joke. Although it was easy to find many in the crowd laughing and smiling, it was because of the sheer, un adulterated awesomeness that was Metalachi. I had no doubt the set was stepped down due to the fact this was a family event, it still pushed the limits to the enjoyment of the crowd. I did not watch a few people sing along, I watched EVERY SINGLE person in the house with their hands up, jumping, and singing at the top of their lungs. Playing just about every metal favorite you could think of, Metalachi electrified us all.









If there was ever a warm up band to a headliner to be afraid of, I just saw this happen. Metalachi left the stage any great band should...with the crowd screaming encore and wanting more!

As I looked around, I realized with much seriousness, all the fun the previous band may have been, Ozomatli (http://ozomatli.com/) was who everybody came to see. There was not a body on the bleachers, warmed up and all, everyone was on the floor as the band took the stage. Ozomatli came out and then owned the crowd to the last note. Performing every single song with the excitement and energy of a finale, Ozomatli was such a fantastic cap to the night and the event. Watching everyone dance and move with the beat was fine. Watching the band come off stage for their final number, right into the heart of the crowd was the best moment of all. The band had become the party, Ozomatli and the crowd were one!

I loved the event in it's entirety. The sights to see, things to enjoy, and the music to support it. What was dis heartening was the crowd. I referenced this in the opening. It should have been more than a thousand in attendance. It seemed like only a few hundred at best. My criticism is this; it is billed as a family event, but at $30 a ticket, that is a hard bite to swallow. Depending mainly on volunteers and donations this only shows that Austin needs to seriously re set it's priorities. Lets fund the Easter Seals Foundation. Lets make this festival happen and grow, but it will only do it with a massive push from press and media. This years Dia de Los Muertos festival had no where near the media hype it should have. No flyers around town, no radio airplay on multiple radio stations of different genres. And lastly a re alignment of the crowd you are going for and the ticket prices. Get the backing of the media, $30 x 300 tickets = $9000 raised or $15 x1000 = $15000...

I hope to see you all there next year and I can't wait for the big reveal of the headliner 2017!


Laters